Anvita is a nascent researcher and musician, who cares sharply about story/telling, decolonial methodology and epistemology, queer readings of (sub)cultures and radical aesthetics. Their education in philosophy and social work shaped their inclination to a life of resistance.
Their curiosity lies in the element of horror and supernatural beings in folklore, ethnomusicology and a radical rejection of incarceration as we interrogate the human actor’s scope of reform and rehabilitation. Likely to be found matching colours, geeking about sounds and its spatio-temporalities, and stretching with friends. Their work attempts to exercise reflexivity in light of their overlapping privileges of caste, class and generational learning while making sense of their struggles within the larger schemes of the simulation.